Haunting Historical Mysteries


No matter if Lizzie Borden really murdered her parents or if the Amityville horror is absolute, history is filled with fascinating mysteries that remain unexplained today. Read more of them here. Find out the best info about Supernatural Mysteries Unveiled.

Veronica Speedwell is a sexually liberated Victorian butterfly hunter equipped with a lethal hatpin; Stoker, on the other hand, is brooding and mysterious. Together, they solve crimes using clever banter in this series set in inter-war London.

The Drummer of Mompesson

The 17th century witnessed an explosion of new ghost stories during King Charles II’s reign. Many believed in witchcraft, and John Mompesson became famous for strange events that occurred at his Tedworth house during that period.

While he was gone, his family was disturbed by loud thudding noises on the walls and ceiling, persistent knocking at doors, drumming from inside and outside their home, and terrifying children with strange shadowy figures attacking them from within their bedrooms and ripping blankets from beds; even their horses became distressed from these mysterious sounds.

However, the true culprit was never identified; most believed that Mompesson had somehow aroused a spirit to haunt the family and have its revenge against Mompesson.

This “vengeful spirit,” as they were known at the time, targeted only certain family members, specifically their older children. Some speculated that Mompesson had taken away the drummer as revenge against this spirit that appeared among his children.

Joseph Glanvill made this case famous, even including it in his demonology book Saducismus Triumphatus. It helped set a standard ghost-hunting procedure with nocturnal vigils and searches for physical explanations, similar to what we know today. These practices would later become common among modern ghost hunters. This case has often been credited as the precursor of contemporary psychical research methods.

Peter Stubbe

Peter Stubbe (also spelled Stumpp and Stumpf) lived just outside Bedburg in the Rhineland region of the Holy Roman Empire during 1589 – an age marked by religious strife between Catholics and Protestants, an outbreak of plague, and other catastrophes.

Stubbe was consumed by his fascination with wolves and the wilderness. He dressed himself up in their furs before stalking young maidens and children as they headed to meadows to milk cows. Once he had found his victims, he assumed their form and attacked them mercilessly until his life consumed them and destroyed them completely.

Stubbe eventually admitted his crimes when his spree became known, including murder, cannibalism, and witchcraft. He even claimed a magical belt had been provided by Satan himself; this enabled him to transform into “a beast whose eyes sparkled like brand names in fire while its mouth was massive and cruel with sharp and greedy teeth”.

Hunters who eventually cornered this monster were shocked to discover it was only human! Stubbe removed his wolf belt and fled into the woods, quickly being pursued by his men but somehow managing to evade capture by throwing his belt into a valley. On October 31, Stubbe, his mistress, and 15-year-old daughter (both known as Belle) were burned at the stake as a warning to others – his torture wheel bore 16-yard-long strips of wood representing each of his 14 known victims with an image of a framed likeness of wolf attached above. What do you consider about Dark History And Legends?

The Thirteenth Tale

Diane Setterfield’s groundbreaking debut novel, The Thirteenth Tale, is an engaging read that effortlessly captures the spirit of gothic fiction and family secrets. Setterfield has created complex yet multidimensional characters who each face personal struggles or tragedies that shape them over the course of this tale – drawing readers in until its thrilling climax! – which will leave readers breathless until the last page.

Vida Winter, an author with family secrets of her own, recruits Margaret Lea – a woman familiar with their lives – as her biographer before she dies. Margaret initially refuses the project due to its complexity but eventually accepts it out of obligation toward Vida Winter and quickly finds herself entranced by Vida Winter’s stories and their relevance to Margaret Lea’s own experiences.

Margaret is the primary narrator, with other characters occasionally offering insights. To aid the reader’s comprehension of what’s going on and why, this book is organized into Beginnings, Middles, and Endings sections, each introduced with its title page featuring an image that foreshadows what will follow.

Books play an integral role in this novel. Margaret works at her father’s small bookshop, selling books and devouring any book written during the 18th century that comes her way. Meanwhile, Miss Winter is an author who has managed to avoid journalistic attempts at uncovering her past by lying or telling tall tales that eventually prove false.

The Book of the Dead

The Book of the Dead is an ancient Egyptian collection of ritual spells intended to guide deceased souls on their journey toward the afterlife. This book can provide invaluable insights into ancient Egyptian beliefs about death and the afterlife.

The Duat Book was not exactly a traditional book in its modern sense; rather, it was a collection of some 200 spells to aid the deceased on their difficult journey through the Duat to an afterlife of peace and plenty. The Book developed from earlier forms of funerary texts, such as Pyramid Texts written on Egyptian pyramid walls dating back as far as 2300 BCE and Coffin Texts left inside tombs for reading after death.

Scribes would write these texts on papyrus scrolls, often including illustrations to accompany their contents. Spell 125 details the misdeeds the deceased must acknowledge upon meeting with Osiris on their journey after death.

The exhibit showcases the latest research on this crucial text, featuring a recreation of an Egyptian burial complete with spell-inscribed linen wrappings on one rare display mummy that includes spells written into its linen wrappings. It offers an insightful view into an essential component of ancient Egyptian religion as well as its continuing appeal today.